This is from back in the day when “Real People” actually looked like real people. Is it just me or are we becoming more plastic looking as the gene pool evolves ? Anyway enjoy this, it put a smile on my face and restored my faith in humanity for another day.
Thanks to Smashing Telly, a hand edited collection of the best free TV on the web and a site I’ll no doubt rob from with alarming frequency. The original Google video post of the clip is here.
Found through BoingBoing but with kudos to Eirikso. Amie Street is a cross between a digital music store and social networking site. With a view to encouraging the discovery of new music, all tracks start out free and only go up in price as they become more popular. On top of that, fans are rewarded if songs they recommend become popular. The artists themselves make 70% of song sales and never lose ownership of their work. Just as the icing on the cake too, all the music is in DRM-free MP3 and can be played on any portable player. It’s what you might call a pretty fucking clever idea.
When Nick Cave released ‘Boatman’s Call‘ it blew me away. I had been a Nick Cave fan for a long time when it came out, but Boatman’s Call felt like something had clicked for Cave and his songwriting had reached a whole new level.
The writing seemed more real, more honest, more personal and therefore more impactful because the emotions rang familiar. From that album forward he seemed to retain what he had found on Boatman’s Call and, for my taste, since then his work has simply gone from strength to strength.
When Beck’s ‘Sea Change‘ came out I had the same feeling - that Beck, already pure genius, had attained new heights.
Both ‘Boatman’s Call’ and ‘Sea Change’ are purported to be albums resulting from break-ups, and perhaps that’s where the raw honesty stems from that makes both albums so damn good.
However, to my disappointement, Beck did not seem to hang on to what he discovered on Sea Change and his next album ‘Guero‘ was a step backwards.
Don’t get me wrong - Guero is still better than most of the crap out there and it grew on me with time, but it initially plays like an assortment of cast-offs from various previous albums.
I wondered if perhaps with Guero out of the way would The Information bring us to new Beckian heights? But the answer is ‘not really’. It may well be a grower, after all I only bought it yesterday, but it didn’t immediately excite or amaze.
Certainly it’s a more solid and coherent album than Guero, but it’s generally familiar Beck sounds with nothing to blow your mind like he has done in the past. But hey, it’s better than Guero which is better than most so that still makes it pretty damn good.
So far my favourite track is the very catchy, simple and effective ‘I think I’m in love’ who’s chorus goes ‘I think I’m in love but it makes me kinda nervous to say so’. Here it is:
Apart from the music, there is another remarkable thing about the album - the cover art. It’s DIY. The cover is a blank math paper type affair, and included with the cd is a sheet of stickers so you can make up your own album art. Brilliant.
If you consider that a significant portion of Beck’s audience will be the type to download music, how do you make a CD desirable? Who wants that plastic taking up real space when the music itself will most likely wind up on your computer and/or mp3 player?
The version of the album I bought also comes with a DVD of videos for all the songs - lo-fi DIY type affairs that Beck and pals obviously had a lot of fun putting together, like the video for ‘I think I’m in love’ as seen above.
All in all, I’m glad I bought it - I dished out over 20 bucks for it and I’m not sorry, but I’m still waiting for the next Beck album that will truly blow our heads off.