Emily Loizeau : French Music to love : Pt II

June 19th, 2007 by Frank

rough translation I think rather than official.

After Oshen finished her set, there was another long wait while the next performer got set up. And there seemed to be quite a bit of set up to be done for Emily Loizeau.

When the set up was finished the stage went dark. The crowd went crazy. Several small portable lights on the stage came on, illuminating the sole cello player on the stage who began filling the venue with haunting but contemporary sounds, increasing the complexity of the piece gradually by looping riffs and building a gorgeous layered piece.

As the piece was reaching a crescendo, Emily crept on stage, picking up one of the portable lights which eerily illuminated her as she crept to the front of the stage to turn on a turntable which added a beat to the music. The turntable appeared on a video projection on stage, Emily took up her position at the piano, the drummer had appeared from nowhere and full lights blasted on as the ensemble launched into a rocking first number.

I know I don’t get out much, but even if I did, I can’t imagine there was a better live gig to be had for a long time.

The incredible energy which filled each and every number was contrasted by Emily’s hushed, peaceful and easy conversation with the audience. Emily is an almost indescribable performer - her beauty is undeniable, but no picture will do her beauty justice, for it is her voice and the way her soul is bared for the audience in every note she sings that hooks you in.

And it’s not a melancholy soul, for although she is capable of breaking your heart in the forlorn numbers, it is her joyfulness and playfulness that leave the lasting impression.

The band had made great efforts to make the show a visual as well as an auditory feast, the aforementioned turntable was adorned with various props for us to watch rotating on the screen, and Emily’s piano had it’s front removed and illuminated to afford us a view of the inner workings as she played as well as allowing Emily access to pluck the piano strings or mute them with paper depending on the requirements of the song.

Emily won the heart of everyone in the crowd. Several times Emily would finish a song and the crowd would go nuts - but as the applause died, Emily only had to mouth her thanks, or nod her head in humble acknowledgement to send the applause spiralling into a frenzy again.

At the end of the set the crowd went predictably crazy, and for one of the encores the band came out and set up right in the audience, getting everyone to sit on the floor ‘as if we were at the beach’ and they performed acoustically.

One of the acoustic numbers “Leaving You” was the very definition of ’sweet sorrow’.

Bear in mind I haven’t a word of French, but this didn’t seem to hamper my enjoyment of the evening, though I imagine the experience could only be intensified if one understood the lyrics!

I hope to get an opportunity to catch this amazing live act again. In the meantime, pick up her latest album on Amazon

3 Responses to “Emily Loizeau : French Music to love : Pt II”

  1. Frank (author) Says:

    dedicated to Emmet…. :D

  2. Rich.. Says:

    Not bad, not bad..

    On a different but related track..why do french videos and TV too always seem curiously dated.

    I find it odd from a nation of style setters and design superstars in most other disciplines?

  3. Fellow French music fan Says:

    If you like French female artists, then try Carla Bruni. Le Toi de Moi and Quelqu’un m’a dit on her first album. Also Cali, Pensons a l’avenir. Great song! Sarkozy aside, France happily still has loads to offer!!

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